The Houston Kid (Photo credit: Wikipedia)
No one needs another polemic about the banality of contemporary worship music. This is a topic that’s been theorized and explored by people who care about it a lot more than I do. Here’s one fairly recent example I found lingering in my Pocket account.
Basically, the problem is that I have a rare medical condition, and if I hear a song that uses the words “amazing,” or “awesome” more than 37 times, my pancreas will explode and I will die.
OK, that’s not true, but I think you see my point. Contemporary worship is a genre that primarily rewards the emotional and scolds the intellectual. For instance, only this shameless genre could offer the world the phrase “Heaven meets Earth like a sloppy wet kiss,” with an un-ironic, straight face.
Of course I paint with a broad brush, but largely the genre fetishizes the …ahem… “awesomeness” of God, while ignoring the particulars of how that awesomeness is created. The problem with ignoring those details is that anything complicated about the Christian faith is left out of the experience. And if there is anything that Christianity has to offer contemporary society, it is the complications the religion carries within itself. This makes it real and relevant. Jacob, as a chosen scoundrel, undermines all notions of fairness and justice. This creates a beautiful confusion within the individual pondering the patriarchal story. It is a confusion that challenges the listener in a way that worship music refuses to, leaving my pancreas to suffer. Imagine Michael Phelps splashing in a kiddie pool. This is an image of what worship music too often does to Christianity.
Beautiful Despair in Rodney Crowell
This brings me to the subject of this post. Growing up listening to the Country Music of my parents, I first became aware of Crowell (dare I refer to him as Rodney here?) because of the great popularity of his hit album Diamonds and Dirt. The wit and depth of his lyrics, along with his stubbornly traditional approach to pop-country, made me a lifelong admirer.
As I grew older however, the Clash came calling for me and I neglected to follow Rodney’s career for many years. This was an insightfully blind mistake on my part. As luck would have it. I caught up with him around the time I was approaching 40, just in time for Rodney to guide me through that time in a way that Christian music would never have been able to.
What makes his music resonate with my own Christian Imagination is that, far from avoiding the beautiful confusion of life, he hones in on it as the very subject that makes life worth living. His song “Beautiful Despair” from 2005’s The Outsider, perfectly captures this attitude.
Beautiful despair is slouching forward
Toward a past you might regret
All to suck the marrow out
Of every magic moment that you get
The “awesomeness” that this lyric captures is not rooted in happy sentimentalism. Instead it captures the delicate dance that joy and pain share in the human experience. What is beautiful is not that we may avoid pain, but that the pain we will feel makes the joy worth feeling. This is the sweetness and light that Matthew Arnold wrote about, and to hear a wise, aging poet capture it in musical art provides more solace and inspiration than any endless repetition of shallow superlatives.
I was fortunate enough to see Rodney perform in a small venue in Athens, GA a few months ago and I noticed that his set consisted strictly of early and recent material. I didn’t feel that he was regretting the popular material of the late 80’s, but an artistic symmetry between the work of the brash young troubadour and older sage is clearly apparent. His classic early material, highlighted by songs like “‘Til I can Gain Control Again,” and “Song for the Life,” show an intimacy with the wisdom of recent songs like “Beautiful Despair,” “Earthbound,” and “My Father’s Advice.”
I feel a large measure of discomfort being mushy and personal so publicly, but given the nature of this post, I think I have an obligation to explain the depths of my appreciation for this great artist’s music. I have recently moved my family 11 hours from home for a job that I am most grateful for. I love teaching, and I particularly love teaching this group of students. I see great meaning in what I’m doing and I’m blessed with an institution and colleagues that encourage me in my work. As a person of faith, I see God’s hand in the events that ultimately led to this job.
Yet I am also feeling a sometimes overwhelming sense of loss and isolation.
Though I’ve met almost nobody I don’t like very much, I still search for the intimacy I left in Cleveland, Ohio. I sit through worship music that seems to uplift everyone around me, but leaves me unmoved. The music simply cannot withstand the contradiction of my situation. The abandonment of comfort. Finding my loss. Loving what sometimes makes me sad. Rejoicing for the opportunity to struggle. In short, the Beautiful Despair.
I am so fortunate to have abandoned Rodney Crowell’s inspiring music for so long, as now, with fresh ears, I can not only hear and enjoy it, but I can feel it.
The vision in both his lyrics and vocal performances captures the complexity of life as I currently lead it. I do not regret the pain and loss. Without them, the joy and passion would be incomplete.
Please watch this performance.
I Know Love is All I Need–from The Outsider
Though my parents are still with me (though still not with me), the speaker in this song captures the grateful isolation, the feeling of having arrived at lostness, that I feel. This is a feat that, sadly, Christian music does not attempt, yet it seems to me that it is an integral part of the Christian experience. To know and be confused. To trust and still fear. To carry doubt with sureness. To know that the experience of fear gives one the exhilarating chance to escape it. And knowing that the escape will still bring doubt along with it.
These contradictions are not to be avoided, as worship music often does. They are to be embraced as the very gift God has given us. Life is beautiful because it is inconceivable. Seeking the answer is a big part of answer. Rodney Crowell, thank God, understands that. With the help of his art, I can joyfully suck the marrow from this wonderful, terrifying life I’m lucky enough to still be living.